In 1968, Johnny Cash walked into Folsom State Prison with a guitar and a small band. His career was fading. Nobody at Columbia Records thought recording live inside a maximum-security prison was a smart bet. He did it anyway. And it brought him back. Four years later, his old roommate went even further. Waylon Jennings was lying in a Nashville hospital bed, recovering from hepatitis, when he decided he was done letting other people run his music. He hired Neil Reshen — a New York lawyer with no Nashville ties — and told him to renegotiate his contract with RCA. What Reshen got was something no country artist at a major label had ever received: full creative control. Waylon’s own songs, his own band, his own producer. No executive breathing down his neck ever again. Cash proved you could tell Nashville no and still survive. Waylon proved you could take everything back — your songs, your sound, your name.
How Johnny Cash and Waylon Jennings Reclaimed Country Music on Their Own Terms In 1968, Johnny Cash walked into Folsom…