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“AFTER JUST 2 MONTHS, THIS SONG FINALLY GOT ITS EXPLOSIVE MOMENT.” Ella Langley didn’t just sing — she shook the whole CMA stage. The moment she walked out in that bright red cowgirl outfit, sparkling with tiny stars, the crowd lifted their heads like they knew something big was coming. “Choosin’ Texas” hit with power, and the two dancers spinning through a smooth two-step made the stage feel like a little piece of Texas under the lights. There was something real in the way she held the mic — steady, fearless, almost saying, “I’m ready.” The song was already a fan favorite since October, but tonight? It blew wide open. And everyone there knew it… Ella Langley just claimed her CMA moment.

Ella Langley Shines With Debut CMA Performance of “Choosin’ Texas”

After scoring an impressive six nominations at the 2025 CMA Awards, it came as no surprise that Ella Langley was invited to take the stage for a live performance. With her star rapidly rising, the Alabama-born singer made a powerful impression during country music’s biggest night.

Six CMA Nominations — A Breakout Year

When this year’s CMA nominees were announced on September 8, Langley found herself at the top of the pack. She tied with Lainey Wilson and Megan Moroney for the most nominations, earning six total:

  • New Artist of the Year
  • Music Video of the Year
  • Musical Event of the Year
  • Song of the Year
  • Single of the Year
  • Female Vocalist of the Year

Fans watching the CMA Awards on November 19 not only witnessed how many trophies Langley took home — they were also treated to a stunning performance of her brand-new single, “Choosin’ Texas.”

The Comical Story Behind “Choosin’ Texas” — Courtesy of Miranda Lambert

Released on October 17, “Choosin’ Texas” is a slow, twangy reflection on longing and love. But the song’s inspiration? Surprisingly funny.

Miranda Lambert shared a playful (and slightly chaotic) story with Langley that sparked the idea:

She once drove down a dirt road with her pet kangaroo in the back seat and her dog up front. Things escalated when a police officer pulled her over — kangaroo and all — with Lambert laughing, “Of course I had Texas plates on the back of my car.”

The story immediately lit a creative spark. Langley recalled:

“I started humming, ‘She’s from Texas, I can tell by the way he’s two-steppin’ around the room.’ Miranda stopped and said, ‘Wait a minute…’ And from there, the song fell out in about 30 minutes.”

A Texas-Style Performance at the CMAs

Leading up to the ceremony, Langley teased her performance to Taste of Country:

“There’s going to be some dancing. You’re going to feel the longing the song describes — missing that person, whether it’s where they’re living or who they want to be with.”

She promised two-stepping — and she delivered.

Taking the stage in a cowgirl-inspired outfit featuring fringed red pants adorned with glittering stars, Langley embodied the spirit of Texas. As she performed, two dancers showcased a blend of country swing and classic two-step choreography, adding energy and storytelling to the moment.

Fans have embraced “Choosin’ Texas” since its release, and her live CMA performance has only amplified the excitement surrounding the song.

Watch Ella Langley Perform “Choosin’ Texas” at the 2025 CMA Awards

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“OVER 2,000 SHOWS… YET THIS WAS THE FIRST TIME HE LOOKED SCARED.” No one expected Alan Jackson to pause like that — not after 50 years of standing steady under the lights. He looked down for a moment, breathing slow, like he was weighing every word. Then he whispered, almost to himself, “I don’t have much time left… I just want to hold onto this while I’m still strong.” The whole crowd stopped. No cheering. No phones. Just thousands of people holding their breath as one man let his guard slip for the first time. It didn’t feel like a performance anymore. It felt like watching someone you love finally tell the truth.

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“When family sings, the heart joins in too.” Merle’s ranch felt different that week — quiet in a way no one wanted to say out loud. Ben, Noel, and Marty stood in the old barn where their dad used to chase melodies until sunrise. No one moved until Ben reached for Merle’s worn-in Martin, the one with the fret marks everyone knew by heart. He played just a few soft notes of that song — the one their father always carried in his chest — and the whole room seemed to breathe. Noel joined first, then Marty. Their voices weren’t perfect, but they were honest, the way Merle loved it. When the last note faded, Ben whispered, “Dad didn’t leave… he just flew a little higher.” And in that moment, they all knew — they weren’t singing for him. They were singing with him.

Country Music

THE PASSING OF THE TORCH — WILLIE NELSON’S FINAL MOMENT WITH TRIGGER AND HIS SON LUKAS. There were no lights, no roaring crowds — just the hum of a quiet Austin studio, the smell of old wood and music history. That’s where Willie Nelson, 92, chose to end his recording journey. After finishing what would become his final track, he set down his headphones, looked at Trigger, the weathered guitar that carried six decades of stories, and then turned to his son, Lukas Nelson. With a voice soft but certain, he said, “It’s your turn now, Lukas. The road’s still long — but the song’s still young.” Those in the room say Lukas froze, tears forming before he could speak. Willie simply smiled, tipped his hat, and handed him Trigger — the same guitar that sang “Always on My Mind,” “On the Road Again,” and countless truths about love, loss, and the open highway.

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Country Music

“AFTER JUST 2 MONTHS, THIS SONG FINALLY GOT ITS EXPLOSIVE MOMENT.” Ella Langley didn’t just sing — she shook the whole CMA stage. The moment she walked out in that bright red cowgirl outfit, sparkling with tiny stars, the crowd lifted their heads like they knew something big was coming. “Choosin’ Texas” hit with power, and the two dancers spinning through a smooth two-step made the stage feel like a little piece of Texas under the lights. There was something real in the way she held the mic — steady, fearless, almost saying, “I’m ready.” The song was already a fan favorite since October, but tonight? It blew wide open. And everyone there knew it… Ella Langley just claimed her CMA moment.

Country Music

“OVER 2,000 SHOWS… YET THIS WAS THE FIRST TIME HE LOOKED SCARED.” No one expected Alan Jackson to pause like that — not after 50 years of standing steady under the lights. He looked down for a moment, breathing slow, like he was weighing every word. Then he whispered, almost to himself, “I don’t have much time left… I just want to hold onto this while I’m still strong.” The whole crowd stopped. No cheering. No phones. Just thousands of people holding their breath as one man let his guard slip for the first time. It didn’t feel like a performance anymore. It felt like watching someone you love finally tell the truth.

Country Music

“When family sings, the heart joins in too.” Merle’s ranch felt different that week — quiet in a way no one wanted to say out loud. Ben, Noel, and Marty stood in the old barn where their dad used to chase melodies until sunrise. No one moved until Ben reached for Merle’s worn-in Martin, the one with the fret marks everyone knew by heart. He played just a few soft notes of that song — the one their father always carried in his chest — and the whole room seemed to breathe. Noel joined first, then Marty. Their voices weren’t perfect, but they were honest, the way Merle loved it. When the last note faded, Ben whispered, “Dad didn’t leave… he just flew a little higher.” And in that moment, they all knew — they weren’t singing for him. They were singing with him.

Country Music

THE PASSING OF THE TORCH — WILLIE NELSON’S FINAL MOMENT WITH TRIGGER AND HIS SON LUKAS. There were no lights, no roaring crowds — just the hum of a quiet Austin studio, the smell of old wood and music history. That’s where Willie Nelson, 92, chose to end his recording journey. After finishing what would become his final track, he set down his headphones, looked at Trigger, the weathered guitar that carried six decades of stories, and then turned to his son, Lukas Nelson. With a voice soft but certain, he said, “It’s your turn now, Lukas. The road’s still long — but the song’s still young.” Those in the room say Lukas froze, tears forming before he could speak. Willie simply smiled, tipped his hat, and handed him Trigger — the same guitar that sang “Always on My Mind,” “On the Road Again,” and countless truths about love, loss, and the open highway.