“Scroll down to the end of the article to listen to music.”

Introduction

Imagine a world where everything goes right, where the air is sweet with the aroma of success and harmony—this is the utopia envisioned by Merle Haggard in his iconic song “Rainbow Stew.” Performed during a time of political and economic uncertainty, Haggard offered a tongue-in-cheek remedy to the nation’s woes, blending humor with a hopeful vision for the future.

About The Composition

  • Title: Rainbow Stew
  • Composer: Merle Haggard
  • Premiere Date: 1981
  • Album/Opus/Collection: Recorded as a part of the album “Back to the Barrooms”
  • Genre: Country

Background

“Rainbow Stew” is a lively track that encapsulates Haggard’s distinctive style and wit. Written during an era marked by economic challenges, the song is both a critique and a comic relief. It gained quick popularity, reflecting the public’s appreciation for Haggard’s ability to comment on societal issues through music.

Musical Style

The song features typical country instrumentation, including guitar, fiddle, and drums. It’s upbeat tempo and cheerful melody contrast with the ironic content of the lyrics, creating a unique juxtaposition that enhances the song’s appeal.

Lyrics/Libretto

The lyrics of “Rainbow Stew” paint a picture of an almost fantastical world where everything is free and all troubles are gone. This lyrical content is a stark, satirical commentary on the political promises of the time, offering a kind of musical escapism.

Performance History

Since its release, “Rainbow Stew” has been a staple in Haggard’s performances, loved for its energy and humor. It stands as a significant piece in Haggard’s repertoire, showcasing his ability to blend serious commentary with entertainment.

Cultural Impact

The song has resonated with audiences beyond the country music sphere, often used in discussions about political and social idealism. It reflects the cultural atmosphere of the early 1980s America and remains relevant in times of political discourse.

Legacy

“Rainbow Stew” continues to be a beloved part of Merle Haggard’s musical legacy, reminding us of the power of music to influence and mirror societal sentiments. Its message and melody continue to resonate, making it a timeless piece in the world of country music.

Conclusion

“Rainbow Stew” is more than just a song; it’s a reflection on society, a critique wrapped in melody. I encourage everyone to listen to this track, not just for its catchy tune but for the depth of its commentary on the world.

Video

Lyrics

There’s a big, brown cloud in the city
And the countryside’s a sin
The price of life is too high to give up
It’s gotta come down again
But worldwide war is over and done
And the dream of peace comes true
We’ll all be drinkin’ that free Bubble Up
And eatin’ that rainbow stew
When they find out how to burn water
And the gasoline car is gone
When an airplane flies without any fuel
And the sunlight heats our home
But one of these days when the air clears up
And the sun comes shinin’ through
We’ll all be drinkin’ that free Bubble Up
And eatin’ that rainbow stew
Eatin’ rainbow stew in a silver spoon
Underneath that sky of blue
We’ll all be drinkin’ that free Bubble Up
And eatin’ that rainbow stew
Alright, Parky?
Here comes Don
You don’t have to get high to get happy
Just think about what’s in store
When people start doin’ what they oughta be doin’
Then they won’t be booin’ no more
When a President goes through the White House door
Does what he says he’ll do
We’ll all be drinkin’ that free Bubble Up
And eatin’ that rainbow stew
Eatin’ rainbow stew in a silver spoon
Underneath that sky of blue
We’ll all be drinkin’ that free Bubble Up
And eatin’ that rainbow stew
Eatin’ rainbow stew in a silver spoon
Underneath that sky of blue
We’ll all be drinkin’ free Bubble Up
And eatin’ that rainbow stew

You Missed

In Muskogee, Oklahoma, there’s a pawn and guitar repair shop sandwiched between a laundromat and a lawyer’s office. It’s called “Gus’s Strings & Stories.” Inside, the air is thick with the smell of pine, fretboard oil, and old tube amplifiers. Gus, the owner, is a quiet man with hands calloused from thousands of hours of soldering wires and adjusting frets. On the walls, instead of flashy guitars, are the broken ones. One with a snapped neck. One with a hole where its previous owner punched it. Next to each is a short, handwritten story of how it was “saved.” The shop’s rule is etched on a small brass plaque on the counter: “Lie to your guitar, it’ll lie right back.” One day, a young man came in, wanting to sell his father’s acoustic guitar. “I need the money,” he said, eyes fixed on the floor. Gus took the guitar. He didn’t check the brand. He checked the pick marks near the soundhole. He looked at the wear on the G fret. He gently plucked a string. Then he handed it back to the boy. “This guitar has played ‘Sing Me Back Home’ one too many times,” Gus said. “It doesn’t belong in a pawnshop. It belongs at a campfire. Go home, son.” The young man looked up, confused. “But I need…” “No,” Gus interrupted, pointing to the etching. “You don’t need the money. You need to play for your father. Don’t lie to the guitar. Merle wouldn’t.” The young man stood there for a moment, then clutched the guitar and walked out the door. Gus nodded, returning to his work.