“Scroll down to the end of the article to listen to music.”

Introduction

There’s something inherently comforting about a Randy Travis song—it’s like coming home after a long day, settling into a familiar chair, and feeling every worry fade away. “This Is Me” is no exception. Released at a time when country music was experiencing a seismic shift, the song stands as a testament to Travis’ ability to stay true to his roots while embracing the evolving landscape around him.

About The Composition

  • Title: This Is Me
  • Composer: Tom Shapiro, Tony Martin, Mark Nesler
  • Premiere Date: June 13, 1994
  • Album/Opus/Collection: This Is Me
  • Genre: Country

Background

“This Is Me” was released in 1994 as the title track for Randy Travis’ album of the same name. The early ’90s were a period of transformation in country music, with the genre beginning to blend more pop elements into its traditional sound. Randy Travis, known for his deep, resonant voice and classic country style, found himself navigating these changes while still maintaining his signature sound. The song, co-written by Tom Shapiro, Tony Martin, and Mark Nesler, was a way for Travis to assert his identity in the midst of this evolution.

When “This Is Me” hit the airwaves, it was met with enthusiasm, reaching number 5 on the Billboard Hot Country Singles & Tracks chart. The song’s lyrics, which speak to self-acceptance and the recognition of one’s flaws, resonated with fans who had come to appreciate Travis’ honest and heartfelt approach to music.

Musical Style

“This Is Me” is a quintessential country ballad, rich with the kind of melodies that tug at your heartstrings. The song’s structure is straightforward yet powerful, allowing Travis’ voice to shine through. It opens with a gentle, acoustic guitar that sets the tone for a reflective journey. The instrumentation is a perfect blend of traditional country elements—such as steel guitar and fiddle—interwoven with more contemporary touches that were becoming popular in the ’90s.

The song’s pacing is deliberate, allowing the listener to fully absorb the lyrics and the emotions they convey. Travis’ vocal delivery is restrained but poignant, emphasizing the introspective nature of the song.

Lyrics

The lyrics of “This Is Me” delve into themes of self-awareness and acceptance. The narrator admits to their imperfections but also takes pride in their true self. The chorus, with its simple yet profound declaration, “This is me / What you get is what you see,” encapsulates the essence of the song. It’s a message of authenticity, a reminder that embracing who you are—flaws and all—is the truest form of strength.

Performance History

Since its release, “This Is Me” has been performed by Randy Travis in numerous concerts and television appearances, solidifying its place as one of his signature songs. The song’s relatable message and beautiful melody have made it a favorite among fans, and it continues to be a staple in Travis’ live performances. Its inclusion in the 1994 album also contributed to the overall success of the album, which was well-received both critically and commercially.

Cultural Impact

While “This Is Me” may not have reached the same level of mainstream success as some of Travis’ other hits, its influence is undeniable. The song’s themes of self-acceptance and personal integrity have resonated not only within the country music community but also with listeners who appreciate music that speaks to the human experience. Over the years, “This Is Me” has been featured in various media, including television shows and commercials, further cementing its place in popular culture.

Legacy

“This Is Me” remains a powerful statement of Randy Travis’ musical identity. Even as country music has continued to evolve, the song stands as a reminder of the genre’s roots and the importance of staying true to oneself. For Travis, “This Is Me” was more than just a song; it was a declaration of his artistic philosophy and a reflection of his unwavering commitment to authenticity in his music.

Conclusion

Randy Travis’ “This Is Me” is a song that invites listeners to reflect on their own lives and embrace their true selves. Its timeless message, combined with Travis’ heartfelt delivery, makes it a song worth revisiting time and again. If you haven’t yet experienced this gem, I encourage you to seek out a recording or live performance—it’s a journey well worth taking.

Video

Lyrics

Lately I get the feeling there’s a feeling that your holding in
Why do you keep your distance as close as we’ve been
Do you think your silence is saying there aint nothin wrong with you
This is me your not talkin to

This is me
The one who knows you inside out
The one you’ve leaned on till now
Don’t you know I’m still here for you
So what do you think your doing
Who do you think your fooling
This is me your not talking to

You can run to me no matter what your running from
If its something I’m doing I’ll get it undone
Just dont let me be a stranger to what you’re going through
Hey this is me your not talking to

This is me
The one who knows you inside out
The one you’ve leaned on till now
Don’t you know I’m still here for you
So what do you think your doing
Who do you think your fooling
This is me, your not talking to

Hey this is me…..you’re not talking to.

You Missed

THE CARTER FAMILY RECORDED AMERICA’S FIRST COUNTRY HIT IN A HAT FACTORY WAREHOUSE. MAYBELLE WAS 18 AND EIGHT MONTHS PREGNANT. A.P. Carter had to hoe his brother’s corn patch for two days just to borrow the car. Then he loaded his wife Sara, two small kids, and Ezra’s 18-year-old pregnant wife Maybelle into a borrowed sedan and drove 26 miles of dirt road to Bristol, Tennessee. The car stalled in a swollen river. Sara and Maybelle hiked up their dresses, held the instruments above their heads, and pushed. Sara thought it was pointless. “Ain’t nobody going to pay us fifty dollars to sing a song.” She was wrong. Ralph Peer from Victor Records had set up on the second floor of an empty hat factory. August 1927. Sara nursed the baby between takes. On day two, A.P. stayed behind to fix a flat tire, so Sara and Maybelle recorded “Single Girl, Married Girl” without him. Maybelle played a guitar style she’d invented alone in a cabin on Clinch Mountain — melody on the bass strings, chords brushed above. Every guitar textbook in America now calls it the “Carter scratch.” She was 18 when she figured it out without a teacher or a book. Six songs. $50 each. That session launched country music. But within a few years, Sara fell in love with A.P.’s cousin — and what happened next on a live radio broadcast reaching all of North America is the part that splits people right down the middle. Sara kept singing beside a husband she’d already left so the music wouldn’t die. Maybelle kept playing through a pregnancy that would’ve kept most people home. Was the Carter Family built on love — or on stubbornness that just happened to sound beautiful?