Time Machine – Rory Feek

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Introduction

“Time Machine” by Rory Feek is a poignant ballad that delves into the depths of longing and the desire to relive cherished moments from the past. The song paints a vivid picture of a man who spends his evenings in a bar, drinking to escape his present reality and yearning to be transported back to a time when he was with the woman he loves. Feek himself has expressed a personal connection to the song, not necessarily through the act of drinking, but through the profound need to revisit moments with a loved one.

Written by Gary Burr, “Time Machine” is featured on Feek’s solo album, “Gentle Man,” released on June 18, 2021.

The song’s heartfelt lyrics and Feek’s soulful delivery resonate deeply with listeners, evoking emotions of nostalgia and the universal longing to turn back time.

The accompanying music video further enhances the song’s emotional impact, offering a visual narrative that complements the themes of love, loss, and the passage of time. Fans have praised the song for its authenticity and the way it captures the essence of yearning for moments that have slipped away.

“Time Machine” stands as a testament to Rory Feek’s storytelling prowess and his ability to connect with listeners on a deeply personal level, making it a standout track in his musical repertoire.

Video

He sang with grit. He lived with fire. And he left with dignity. In the quiet glow before sunset, Toby Keith stood once more on Oklahoma soil — the red earth that had shaped his soul from boyhood to legend. There were no spotlights, no cheering crowds, only the whisper of wind and the calm of home. Removing his hat, he looked to the fading horizon, as if sealing the final page of a life lived boldly — as a son, a father, and a man who always sang with unshakable truth. Before walking away, he murmured, “If I leave this world with a song in my heart and boots on my feet… I’ve done alright.” And in the stillness, one line seemed to ride the breeze forever: “Courtesy of the Red, White and Blue.”

On February 3, 1959, Waylon Jennings narrowly escaped a fatal crash near Clear Lake, Iowa, when he gave up his seat to J.P. “The Big Bopper” Richardson. Unknowingly, he avoided the crash that took the lives of Buddy Holly, Ritchie Valens, and Richardson—a moment that forever changed music history. Haunted by survivor’s guilt, Jennings later paid tribute to his lost friends with “The Stage (Stars in Heaven),” a powerful track that immortalized their memory and legacy.

The evening sun dipped low over Bakersfield, painting the cemetery in shades of gold and shadow. Vince Gill sat quietly on the cool grass, his guitar resting against his knee. In front of him stood the simple headstone: Merle Haggard, 1937–2016. He didn’t speak at first. Just listened — to the rustle of the wind through the trees, the faint hum of a distant train, the same kind of sound Merle once turned into a lifetime of songs. Finally, Vince strummed a single chord, soft and trembling, letting it hang in the air like a prayer. “I wish you were here, Hag,” he whispered. “The world’s a little quieter without you.” As the last light faded, Vince began to sing A World Without Haggard. His voice carried across the stillness, a tribute from one troubadour to another, weaving through the evening air until it felt like Merle was right there — smiling, nodding, and keeping time in the shadows.

Late on August 8, Vince Gill reached out to Dolly Parton with concern for their dear friend Reba McEntire, who was going through an incredibly difficult time after the recent loss of her son. Moved by their shared history and friendship, Vince and Dolly spent the night working quietly on a new song — a ballad about faith, resilience, and enduring love. By morning, they recorded a simple, heartfelt version on Dolly’s porch, surrounded by the calm sounds of Tennessee. The song, titled “You’re Not Walking Alone,” was sent directly to Reba as a message of support and comfort. A beautiful reminder that in the hardest moments, friendship and music can be powerful healing forces.